Watercolours With Life: Painting For the Bin?

Monday, 1 February 2010

Painting For the Bin?

Monday is my favourite day of the week. I see it as a beautiful blank piece of paper waiting to be painted on. I can decide what colours to use and which subjects to capture. I can let go of yesterday and feel the excitement of looking ahead to a brilliant tomorrow. Maybe it is this positive happy attitude that allows me to achieve a flow in my work with expressive brushstrokes. I am not tied to one subject and my free spirit can create at will wherever my mood takes me. Today I wish for warmer weather and the magical feel of dance.

I am off to Spain by the touch of a brush.

These studies are aimed at the bin as a very quick warm up to my serious painting session. I am using these to free my mind and get to the quiet place I need to be to create wonderful paintings with a sense of life and beauty in them.

Warm Up Exercise 1.

Just playing with colour and allowing my imagination to " see" a subject amongst a few watermarks and colour combinations!

Warm Up Exercise 2.

Working a little further on Exercise 1. and exploring how this could be used in a more serious painting.

The whole point of these warm up exercises is to relax, free my brush and my mind and simply enjoy painting. They are never intended to create pieces to be framed or exhibited but their value is as great in that I continually learn new ideas for colour contrasts and keep an element of fresh ideas in my work.

My workshops contain a mix of fun and serious painting. All my exercises are intended for motivational and inspirational purposes. For this reason it is very important I feel a thrill when I paint too........

Now it is time to work on my exhibition and new collection........this was a wonderful break and distraction!

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1 comment:

Nancy Wallace said...: I found the idea of painting for the bin really inspirational. As a leisure painter it's exactly what I need to do - more time playing with the paint and less about achieving a finished result. I love your painting style. Thank you. I made a link to this post in my blog post of today - 'to bin or not to bin'.; 27 February 2010 at 06:06

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The Artist Magazine : Book Review

Jean Haines' Atmospheric Watercolours

"The book is nothing less than a paean to the wet in wet technique. If that's your thing, prepare to be amazed. Jean Haines credits Jean Louis Morelle, and in many ways this book is the sequel to Morelle's remarkable, but very technical work, showing the wealth of creative possibilities the technique offers. A lot of the images are barely recognisable and yet you instinctively know what they are. I wish I knew how, because this is impressionism taken to its logical conclusion and reminiscent of some of the later work by JMW Turner. You will have to take it from me that "First signs of a face appearing magically from a first wash of watercolour" is pure alchemy. This is an extraordinary book."

"Amazing Ways With Watercolour:" Fastest Selling DVD!

"Amazing Ways With Watercolour" from Town House Films is the fastest selling DVD with the company to date! Record breaking pre-orders for this much awaited film saw requests for copies flooding in from all over the world. A wonderful introduction into working with watercolour minus the use of a preliminary sketch this DVD removes the fear, stress or pressure from worry about how to use watercolour. Instead the focus is on having fun, enjoying vibrant colour combinations and allowing the medium to create the subjects with just a little help from the artist. A really exciting new DVD to own. Whilst the DVD sold out in the first few months since its' release due to popularity it is now in stock and available directly from Town House Films.

http://www.townhousefilms.co.uk

How To Paint Colour and Light in Watercolour

"How to Paint Colour and Light in Watercolour" Jeans first book was launched at the Mall Galleries in 2010 at the SWA Society for Women Artists Annual Exhibition. Many copies have been sold world wide. It is available on Amazon.com, Search Press, SAA Society for All Artists and Ken Bromley.

"This book is a wonderful introduction into Jeans' way of working and gives an insight into her way of thinking and approach to a large variety of subjects. All painted minus the use of a preliminary sketch."