A collection of yellow washes, first stages of daffodil paintings in watercolour
I really feel sorry for anyone who doesn't work in watercolour! Its' the most fantastic feeling on earth watching colour flow over paper turning into subjects magically, often in my case by pigment interaction alone rather than by deliberately being painted. Yes, you do need to know how to apply pigment, when ,where, and at what stage of the paper. being still damp. But once you get into this way of working it is so wonderfully addictive!
This morning I looked at the bright sunshine and just had to paint it. I eagerly reached for my yellow pigments and started a collection of washes of the daffodils in my garden. There is a gentle breeze today, so the flower heads are moving in my garden and this is a feeling I tried to portray in the first two washes. Inside our cottage I have a vase of very bright yellow daffodils, all clustered together, so this inspired my third wash of deep yellow pigment in a central composition. Under our kitchen window in the garden, there is a bank of daffodils with muscari lining up in front of them . So the lower two washes on my easel are inspired by this gorgeous combination of blue and yellow. Can you work out which wash is which in the image above when all the washes were placed on my easel?
The image below is of the vase of daffodils in my cottage. I have left out the vase and just painted the flowers. There is no detail added yet. This is literally just colour making the flowers appear with hints of shapes in the early stage of my painting. I didn't aim to paint individual flowers and yet they are there already.
Daffodils bursting to life in the very early stages of a first wash.
The image below shows the daffodils inpisred by my garden, leaning with the force of the wind behind them. I cannot wait to complete these paintings.
Daffodils being blown in the wind by the breeze.
First Wash.
These are all painted on Bockingford 140lbs paper and they are singing with fresh clean colour.
Cadmium Yellow, working at its best!
Please don't forget I have a competition running in the Artist Magazine at the moment. On using yellow pigment. If you have a unique way of painting with it you can find more details on how to join in via this link
Love these, Jean--each year I especially look forward to the daffodils and try to paint them as much as I can.
ReplyDeleteI usually have trouble with the yellows. Looking at yours I think I am trying to hard to differentiate them.
I should do as you do, and the the paint do its thing!