Saturday, 18 May 2013

Are Bluebells Blue?

Bluebells 
May 2013

I am happily back in my studio and as I walked around my garden this morning I picked some bluebells. Now here I should be very honest and point out that I was on crutches so the challenge of the day was to for me to pick a flower to paint and I am thrilled I did!  I leant on one crutch and leaned over easily. My recovery from surgery, as far as I can see it, is purely a state of mind. I can sit watching television or get on with getting better! And as an artist there is no finer way to detract from pain than painting.

My dog Bailey followed me with great excitement as we both went on the adventure of my learning to walk further on crutches. He barked excitedly with my every move. I'm doing so well that I even managed to bend down and pick up sticks to throw for him. However , he resented my heading back to my studio as he obviously felt our "stick games" should have gone on for far longer. Sadly my standing time is limited at the moment. but I am getting stronger every single day.

I picked a bluebell and worked on a scrap of paper to capture it as a warm up exercise. Its' amazing but when I place this popular flower on my palette its' true colour leans more towards violet than blue. I can see gorgeous turquoise hints in it as well.  The morning sunshine gave an illuminous effect above the heads of the delicate bells making them seem angelic so the name "bells" reminded me of church bells ringing.

I have loved taking time out to  imagine how to capture them on paper. The familiar questions before painting any subject arose. What colours to use and how to portray the delicacy of the flower ? What colours would you use for painting bluebells? How would you make them feel like bells ringing, moving in the breezes?

For my painting I have opted for Cobalt Blue heavily diluted, with hints of Winsor Violet and touches of Turquoise. For my greens I have mixed Cadmium Yellow with the Cobalt or Turquoise and then with my rigger dropped my violet shade into the foreground greenery.

Isn't it amazing how one tiny flower can lead to so much interesting thoughts in a creative process?

Artist tip of the day : Pick something from nature and capture it in a quick simple study but let your thought process beforehand take longer than the painting itself!  Learn from the thinking process.

************

Friday, 17 May 2013

Thank you So much!

 Australia 2013

I am recieving some wonderful thank you messages following my accident in Australia. I can't thank everyone who has sent email messages and commented on my blog, Facebook and Twitter enough. Its' impossible to let anything get you down when you are surrounded by such great friends!

Thank you so much!

Learning To Walk 2013



Floral Energy

Yesterday I saw a specialist as a follow up to the surgery in Australia on my broken ankle. I'm delighted to share the news that I am now out of a wheelchair and on crutches. I listened to advise on what I can and can't do and fully understand that the length of my recuperation depends on me. So today I have been learning to walk , placing weight on my ankle and moving around my garden. It hurts! Each step is uncomfortable but I am going to have to push myself if I am to heal well.

It is a very strange feeling learning to walk again. In many ways I am reminded of learning to paint in watercolour. Everyone told me it was going to be difficult. Facing a blank piece of white paper years ago is similar to my looking at the garden path ahead of me now and wondering if I can make it to where I am aiming for. The thing is, unless I try I will never know.  Each step isn't going to be plain sailing and I may make mistakes in how I place my foot or crutches. Just the same as placing a brushmark or choice of colour in the wrong place which can have less than wonderful results.

But I do know this. Every single effort that I put into learning how to paint in what is classed as the most difficult of mediums has been worth it. And so will be that fantastic feeling of walking again unaided,standing alone and reaching for anything at all without having to ask for help.

I am very independant and also usually very energetic.  Having to slow down right now and think about  my every move is possibly frustrating. Yet there is an inner calm about me which is  quite beautiful. I know I am going to be better but I feel this is a great opportunity time for me to just enjoy nature around me. Absorbing the beauty I see daily and considering where I am heading, not only with my feet but with my art! I can work on my book without interruption or distractions and love being quietly in my studio. perhaps an angl eon my shoulder decided this is where I need to be in my life. Reflecting and looking forward quietly.

I am positive. I am detremined not to have a permanent limp as has been suggested and I am convinced I will be dancing again in heels in the future. Just like I was when I first picked up my brushes. I wanted to master watercolour so badly I never gave up then and I won't give up on my recovery either!

Whatever you are doing and whatever difficulties you may be facing always stop to consider that every single thing that happens to us makes us stronger. Paintings that don't always go right are the ones that teach us the most. Lifes hiccups are just like that.  Their bonus is teaching us to appreciate the smooth times even more. For example I will never take for granted being able to walk in future!

Artist tip for the day? Its' obvious.

Don't give up!
Never, ever give up!

Koala Impressions; Australia 2014

Koala Impression
Study 2013

Having returned from Australia I have found myself emerged in reading over a months worth of emails. Many inviting me to teach internationally. I will certainly be replying personally but for now I am looking at my diary trying to schedule a return to Australia in 2014. I'm hoping to offer a workshop for those who missed this years as I have been inundtaed with requests for places.

I will share information as soon as dates are released!

Jean

Sunday, 12 May 2013

Australia Watercolour Workshops 2013: That accident!

Gorgeous Sunset in Australia 2013

I know all my friends are eager to know how I am so I'll begin my blog return with an explanation of how I ended up in hospital in Australia. I flew over to take watercolour workshops at Frogs Hollow just outside Brisbane. It was a very rural location. Both my husband and myself were met by the organiser and taken to a charming cottage to stay for the duration of my visit and teaching sessions. I met the first group of artists on the Saturday and we had a fantastic weekend exploring waterolour techniques. In fact by Sunday I wished I could be with everyone for another day as they were so  amazing. But the second group of artists were arriving on the Monday evening for the next workshop which was to commence on Tuesday morning.

As Monday was my day for a break, my husband and I enjoyed looking around the countryside with me taking photographs of subjects I wished to paint with my next group. That evening we met the artists for an evening meal and I left eagerly looking forward to the next day. I was so excited when I woke on Tuesday morning as I had planned a terrific first day session which I knew would have everyone racing for their brushes. The demonstration pieces were in my arms as I headed for the car. So enthusiastic, I was leaving really early as I wanted to set up in good time before my class were ready to begin. Unfortunately thats' where everything went wrong. Outside the cottage were a few steps and as I left the last one I slipped and fell awkwardly. There was no hand rail to grab onto so my fall couldn't be prevented. Immediately pain shot through my leg and my husband said straight away that he thought my ankle was broken. To make matters worse there was no mobile phone connection so my husband walked to the nearest house and asked if they could ring for an ambulance. All I could think about was getting a message to my class but everyone else was really concerned about me. The neighbour was so kind and leant an umbrella to keep me in the shade while we waited for an ambulance to arrive which felt like an eternity.  I had been given a " green whistle" ro dea with the pain but at this point I was convinced the doctors could patch me up and I would be returning to the workshop to teach. That really is all that was on my mind. I even planned to run the class into the early evening to make up for my being late. In my mind everything was going to be fine and I would paint non stop later on to make up for my being late.

I arrived at the first hospital where x-rays put a whole new picture on what was going to really happen. Here I was told to forget anything other than to be prepared for a stay in hospital and surgery. It finally started sinking in how serious my fall was. I was given fluids by drip and then my husband drove me to Brisbane where I could have surgery. It was the quickest option as shock was beginning to set in.  Roz, one of the artists on the workshops came with us and directed us to the Wesley Hospital and stayed with us while we were settled in. If you can imagine a two hour drive with your ankle broken in two places and no pain killers you can also imagine how amazing Roz was, remaining calm and cheerful all the way dealing with the situation as if it was an every day occurence.  On this journey I was still convinced there would be a way somehow to put me in some kind of cast so I could STILL teach my workshops and then have surgery on the Friday when everyone had left. But this was not going to be an option.

I was heartbroken. Not for me but for all the artists who had flown from all over Australia to meet me and to enjoy the workshop which I had been so looking forward to. I listened to everyone around me telling me how long the surgery and healing process was likely to be but I didn't take their words in. All I knew was that I badly wanted to get back to the class. I felt numb at this point. Disappointed, still believing this could not be happening.

It took three days alone for the swelling to go down before the  surgeon could operate. Then a metal plate was put in one side of my ankle and pins were placed in the other. My fall had not only broken both sides of my ankle but the tissue in the surrounding area had also been badly damaged. Within hours of being admitted, it seems, a beautiful gift box of orange flowers appeared, from Jo one of the artists on the first workshop. She has taen in how much I love translucent orange and the kindness of her thought touched me so much. I looked at them and felt less frightened of what was to come. Then John, husband of Karen another artist on the first workshop arrived with a beautiful bouquet of flowers. Soon my room was full of arrangements and became the favourite place for nurses to visit as it soon began to look like a garden. Even my publishers Australian contact and an Art Society sent me a gorgeous bouquet.

I obviously then had to stay in hospital  following the surgery and have lessons on how to use crutches which will follow the early recuperation period in a wheelchair.  I left hospital and stayed in Coolum, again thanks to the kindness of Roz who had arranged for us to stay in her apartment for as long as we needed. And its' taken a long time to be allowed to fly home. That journey in itself was no mean feat, needing anti -coagulant injections at each stage to prevent problems during the flight.

So now I look ahead to a few months where I will be getting used to moving around in a wheelchair and later on, using crutches. But I have already made it into my studio so I will be fine. I will need physiotherapy and I will need to be patient but there are so many positives from this experience.

Firstly I was so lucky not to be alone when the accident happend as I could have lain there for hours before I was found. Secondly  I could have broken my hands which I know I would never have dealt with easily. I met so many wonderful people in Australia and witnessed their kindness in a way I will never forget. I also now have to return earlier than planned to give a free workshop to everyone who missed me on this occasion and all I can say is that the sessions then will be memorable because I am planning them already.

We never know what life is going to throw at us but each hiccup is a time to sit back and realise how lucky you are in life. I am so blessed as my husband is an absolute star in how he handled the whole accident and me. I also will be out of this wheelchair, not in it for life. How lucky am I?

I'm going to be fine. I will heal and I am looking forward to my next workshops. I even made it to the preview of my solo exehibition which opened on Friday night, regardless of a thirty hour journey beforehand ,with a broken ankle from Australia.

So, I am back on my blog, almost back to normality and I will be getting better every day from here in.

Watch this space!

***************

I will be writing to all the artists who missed the last workshop due to my accident. Please email me if you haven't heard from me by the end of this week!




Breaking a Leg ? Australia 2013

The Wesley Hospital, Brisbane 2013

When I left UK a few weeks ago for my workshops in Australia I had no idea how my trip was going to turn out and it will take several blog posts to catch up. But the reason my blog has been so quiet is because I had an accident in Australia which led to a week in hospital, surgery and an extended stay until I was able to fly home.

I can't begin to thank everyone for their wonderful kindness during what could have been a very traumatic experience but for now I send my heartfelt thanks to Roz who is a true star when calm and kind generosity is needed. Karen and John, Jo Duckworth especially deserve a mention as well as Di who organised my trip and her terrific husband Ned.

I will explain in my next blog post what happened but for now, I am happy to say I am home again, in a wheelchair and recovering but  its'  going to be a long healing process ahead so all the smiles and laughter you can share would be really appreciaited!

I'm home!


Monday, 15 April 2013

Acuarelas con Atmosfera, Jean Haines.






Acuarelas con Atmosfera, Jean Haines.

12 y 13 de noviembre de 2013 (2 dias)
Cupo Máximo 15 personas.

14 y 15 de noviembre de 2013 (2 dias)

Cupo Máximo 15 personas.