Showing posts with label Jean Haines Atmospheric Watercolours. Show all posts
Showing posts with label Jean Haines Atmospheric Watercolours. Show all posts

Tuesday, 26 August 2014

Full Speed Ahead

Cyclists
( Copyright: Jean Haines )
Work in Progress on my Easel 
From my upcoming Show at the Wey Gallery in Godalming, Surrey

I am now getting very excited about my new solo exhibition,  " Colour Fusions" at the Wey Gallery, Godalming, Surrey. It is wonderful working with a gallery such as this one because between us we know what  my clientelle enjoy to see in my shows. I sold out of watercolour cycling scenes some time back and have not released any new horse racing scenes for a while. Now I have gorgeously exciting paintings which will be unveiled during my fourth one woman show at the Wey Gallery.

My husband recently bought us  bicycles and  the fitness bug has hit us. I am desperately finding time for my cycling and trying to fit it into my already full  routine. Bailey, my bearded collie, loves  trying to knock me off my bike so I have to keep him away from me once I am on it. He stays at home which he doesn't really approve of. 

I love watching cyclists on the country lanes here. The way they move fascinates me so of course they are going to be another subject I am passionate about painting.  In fact I couldn't wait to walk into my studio this morning to get to work as I have new paintings on the go of just that, cycling scenes.  Actually I can't call what I do "work" because I love it so much.

If you would like to see my new paintings, please keep en eye out on my blog for full details of the show.  I will be at the gallery  for the opening on Saturday 27th September, 2014 to give a short talk about my work. Everyone is welcome.

On another note, and this probably will make my blog readers laugh. I am thrilled my husband is keeping so fit and has a new hobby, but I am hoping he never takes up wearing colourful lycra. I'm not sure if my artistic eye could take that sight.  As gorgeous as he is.

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Saturday, 22 March 2014

My Week and a Harvest Mouse

Harvest Mouse coming to life
on  an ear of corn.

Watermark Exhibition Behind the Scenes: This week has been busy. I suppose all my weeks are! But I completed the collection for my show at The Frame Gallery in Odiham. I will see these paintings in frames on Monday, when each will need to be measured for the catalogue, titled and priced.  This side of exhibiting takes time that often isn't recognised. Then there is the wrapping  of paintings for delivery to the gallery. When this collection is on display in the gallery I will finally be able to see the result of all the work  behind the scenes. And its' a lot!

My new Book: I have been working on my new book. The  latest chapters have me now so enthralled that I wake early each day to continue on them. I love writing.But what I love more is the fact that if I get this book right everyone who is fascinated by watercolour will love it even more. Each page is full of tips and ideas for painting fabulous compositions. I'm trying to give a feeling of each new chapter being opened as that thrill of opening special Christmas gifts. One of excitement and sheer pleasure. If you like the gift of course! My publisher is really excited and thinks this will be my best book to date. I am very happy.  Actually I am over the moon that they like it so much!

USA 2015: There is a lot of excitement about my 2015 USA new book signing tour. And I am happy to announce that I will also be in West Virginia for the very first time, adding to my book signing events and workshops in California and St Louis.

Australia 2014 : As well as workshops I will be giving  demonstrations and talks  for Art Societies in Adelaide, Tasmania and Brisbane in November this year. My Australian workshops are all fully booked although I need to check with Sydney as I think there are places left but I need to update this news.

New Paintings: Between all the organisation I am painting as if I have never painted before in my life. I have no idea what happened this month but a new  sense of adventure has hit my brushes in such a huge way. I cannot describe the feeling but I am working in my studio on paintings for my book and future exhibitions. The harvest mouse on corn above is an example of  one of my newly found subjects this year. And I love breathing life into them. Little harvest mice. Working in watercolour is so magical. 

I wish everyone could find this feeling of peace in their lives, even if it is just for the time they are painting!

Have a great weekend!


Jean

Tuesday, 4 March 2014

Violets in Watercolour

Violets in Watercolour

How I love my life! Okay there are blips in it at times but if my life was always perfect then the wonderful days wouldn't be so fantastic. Today I had a meeting with my wonderful PA, Christine, who artists on my workshop will remember. Christine is fantastic in everything that she does for me and together we make a perfect team. But not only do we work well together, we have many similar interests. Gardening and flowers being just two.

Today we had rather tedious issues to discuss. Behind the scenes details that all businesses incur. But Christine arrived with the sweetest little glass jar of  stunning violets. Their colour was amazing and when our meeting was over it was impossible for me to continue working on my book or exhibition paintings. I just had to paint the violets. I painted three little pieces, each very different in composition. One had  fine detail on the main flowers. Another was more of a wash with flowers  "discovered" in it as is my way of working. But the painting I like most of all is the quickest brushwork . Telling the story but without too much fuss. Which is the piece I am sharing in this blog post. ( See above )

I learn so many lessons when I am writing my blog. From this post I can say 

1) Life without friends would be empty
2) Cease the moment, because these little flowers wouldn't have waited for me to have time to paint them and look what I would have missed.
3) Treat yourself now and then to something just for you. This painting was just that. Painted for fun to relax and I loved it.

I hope you do too!


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Monday, 24 February 2014

Tiger Feet : Kitten in Watercolour( Bockingford Watercolour Paper 140lbs )

Kitten coming to life in watercolour
Bockingford watercolour paper 140lbs.

The botanical artist in me is coming out as I work on a kitten painting at the end of each painting session. I'm getting hooked on adding fine detail  for whiskers and eyes. After yesterdays success with the now popular little grey kitten painting, I couldn't resist returning to the subject today but making myself opt for different fur colouring. Artists who attended my workshops last week will remember my words when I say "Always trying something new". Which is beneficial for both our  imagination and for stretching our artistic skills.

I started this piece by finding the eyes first on a blank piece of paper, making neat outlines with my rigger brush. These shapes I quickly flooded with colour to form the eyes as my starting points. These I can then easily work away from  to form the kittens face. Next I literally dropped colour into damp spaces where I wanted the fur to appear. As I worked downwards from the face ,I adored finding the little " tiger feet"  formed by wet on wet techniques.

"Tiger feet" formed by watermarks and the wet in wet technique.


Out tof interest , I never use masking fluid so the whites of the kitten eyes are purely there from my working around the white space of the paper.

I have used Bockingford Watercolour paper 140lbs for painting this kitten and it has been fantastic. The paper surface allows the pigmentst to flow readily and interact with water, making my subject come alive readily. This is a super quality product and well worth working on for subjects against a white background, as  seen in the top image.

This painting is almost complete but I want to add a little more definition.

I am having a purrfectly wonderful time painting these adorable subjects, what next tomorrow?
I  wonder!

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Tuesday, 11 February 2014

Magic Faces : Portraits in Watercolour

Expressive Face appearing from a simple first wash in watercolour

I fell in love with painting portraits when I lived in Dubai. Not only because I was surrounded continually by wonderfully characteristic Arabian faces with stunning facial features; but also because I trained under a fantastic Indian artist who taught me how to work in oil. I loved learning about skin tones and how to place features correctly.  My work at this time was highly detailed to the point of perfection. But something was missing from my results. I quickly discovered it was the lack of a feeling of "life". I seemed to be addicted to painting from photographs, copying exactly what I saw, step by step, with each new brushstroke.  My work was predictable and so wooden. Over time the better my work became the less I liked it. I felt as though I was falling onto a path followed by a million artists before me and even worse, my pleasure in painting potraits gradually disappeared.  That is, until I started working without a preliminary sketch.  All of a sudden the practise of sketching and painting perfectly aided the new direction I was heading in and my passion for painting faces grew again, with each painting.

In time I developed a personal technique where I would choose the colouring for my subject and with a few brushstrokes, along with very careful application of water,  truly expressive faces started to appear. Many with an atmospheric sense of mystery. I was so happy at this time in my career, when I first started  working on a series of these faces. I used to teach Watercolour courses at the Dubai International Arts Centre which at that time was on the beachfront. It was a beautiful art centre where many artists shared their love of the arts, willingly giving their techniques in so many classes. I had been successfully selling scenes of dancing ladies, landscapes and many paintings of camels in local galleries. When I fell in love with creating these faces I was told by galleries and fellow artists alike that faces as a subject "wouldn't sell". But I have never been an artist that paints for financial reasons so I didn't listen.  I always have, and I always will paint what I enjoy so that each of my creations is fresh and  full of the passion I feel when I hold a brush.

As my technique developed I started painting these faces with red wine, coffee, left over tea.  Absolutely anything that mixed with water  became my new way of working. I was addicted! Eventually these faces became not only popular but highly collectable. To the point where galleries were phoning me and sking if I had any more. In every exhibition these faces were sought after and always sold first.

Over time I moved  from Dubai to Hong Kong, France, Belgium and eventually back to UK. My magical faces took a back seat while I became distracted with so many other subjects in each of these different countries. But today, like an old friend calling to me, I felt the urge to return to my beloved mystery faces and the above image is my first creation this year, in my technique. This possibly needs a little definition to make this a completed painting. But if you study the painting at this stage everything is already there and such an expression is present. It holds mystery without working on this futher. Mystery that could disappear if I add detail.

I often tell artists on my workshops to stop when they can see what the subject is and that is exactly what I am going to do with this piece. It made me feel wonderful when I painted it, as it brought back so many happy memories. So to work further on this would lose that feeling of connected emotion. But I will be starting another portrait straight away.

There is a moral to this blog post. Had I listened to everyone telling me that faces were a waste of time to paint because they wouldn't sell, I would never have  learned so much as an artist. Or grown in my technique or art journey. And by  staying strong and sticking to my own way of working I found success  by accident. My advise is always paint what you enjoy, only listen to advise from others if it suits you and remember, others aren't always right!


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