It is strange how new ideas come to you as an artist. I have been walking in the countryside looking at the berries growing in the hedgerows and become fascinated by changing light throughout the day. I also love all the brambles and tiny twigs with many in reality being almost out of sight. I couldn't work out how to create this feeling of distance until now. Yes, violets as a shade work to push a subject further into the background and bold strong pigment works to pull branches in the foreground more strongly into view.
Blackberry painting revisited
I revisited a previous painting of blackberries that I luckily had in my studio still and continued my experiments with colour and technique on it. And must admit I am thrilled with how it is now evolving as a piece.
The foreground branches have been painted now with shades I wouldn't normally use. They are black and dark brown shades from the Daniel Smith range. Very powerful,dynamic and fascinating as they make the warm colours in the background glow even more in contrast, as if in soft diffused light.
Lamp Black,Transparent Brown Oxide and Purpurite Genuine.
Strong, dynamic shades.
For an artist who has always avoided painting with black or dark shades this is quite a turn around in my way of thinking and painting. I love it!
The branches in the foreground now stand out. The deep brown areas you can see in the section below have been created by applying pigment with a cloth and twisting it over the paper. This gives me freedom and less planned looking results, which I also love.
Dark brown sections have been creating by rolling a cloth over my work once colour had been applied
If I liked an effect in this piece I simply repeated it so the brown section grew and became more interesting . A subtle, gradual build up of strong colour gave me the effects seen below that I found intriguing.
Build up of brown section, slowly adding depth and drama to my work
I find I am the happiest when experimenting. I don't accept that every technique has been learnt about this magical medium. I honestly feel there is far more to be gained from spending as much time as possible pushing the limits and hoping to cross boundaries of what and what does not work with watercolour pigment.
I loved this experiment which wouldn't be possible without the products I use from Daniel Smith. I owe the inventor of these amazing watercolours so much as my life is so exciting because of them, as an artist who adores colour and exploration with it.
Great fun and I cannot wait to paint even more bold pieces now which are perfect choices for this Autumnal time of year. Gone are the soft summer shades. In come the powerful Autumn and Winter effects!