Showing posts with label Learning from Nature. Show all posts
Showing posts with label Learning from Nature. Show all posts

Friday, 30 November 2012

Learning from Nature Novenber: 2012

Frost on Leaves
A beautiful abstract composition

This morning I woke to a very enthusiastic Beardie who just couldn't wait for his morning walk. As I looked out of my window I saw the ground was covered in the most beautiful frost. It was as though someone had lain icing over our garden overnight, creating the most beautiful of sights.

I grabbed Baileys lead and my camera and headed out to the countryside that surrounds our cottage. It was a fantastic walk. Everywhere I turned I could see possibilities for new paintings. The autumn golds that I love so much have been gradually disappearing as the trees lose their leaves. Now the sky carries an incredible hue which in turn casts fabulous light changes on the fields and grasses.

Returning to my studio I cannot wait to paint and as Bailey is now tired I may be able to do so in peace! I love owning a dog. The bond we share enriches my life daily but without him I doubt I would have  seen such beauty this morning. 


Baily with his ball on the icy grass this morning.

 We learn so much when we are not at our easel. We observe. The added bonus of the break along with fresh air can give such a boost to studio time and fuel much needed inspiration that can be lacking if we don't go out.

Have a great weekend and happy painting!

Jean

Monday, 19 November 2012

Autumnal Inspiration

Rosehips from my garden today

This morning as always I took my dog, Bailey, for a walk. As the light was so beautiful I took my camera hoping to gain some beautiful Autumnal images. The golds from the oak tree leaves falling are creating the most miraculous of carpets on the ground, in the woodlands and country lanes. But even before we set off I was drawn to the rosehips in our garden. They are simply stunning this year. I couldn't wait to race home to paint them but my Mondays are now my administration day. And it has been hectic.

I have been liasing with Australia regarding an opportunity to hold a workshop there next year. I have also written a feature in the form of an interview for a magazine. I sadly had to decline a few invitations to demonstrate in 2013 because I am already heavily commited  next year. So my brushes lay patiently waiting for me to pick them up. 

This image has stayed in my mind all day and I just had to share it, because even as a photograph it teaches so much about art. Look at how the light plays on each hip? I see these sections as white paper but each highlight is unique in shape. When I hold workshops artists often paint every single  highlight on a cluster of berries exactly the same.

We can learn so much from nature if we truly open our eyes and observe!

Happy Painting!

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Sunday, 20 June 2010

Watercolour Lessons from Nature

 
 
"And why are you anxious about what to wear? Consider the
    lilies of the field, how they grow; they toil not, neither do they
    spin. And yet I say to you, that even Solomon in all his glory
    is not arrayed like one of these".
                                                                                 - Matthew 6:28-29
 
Behind my cottage is a field full of daisies.  This morning I wandered through the many heads of white touching a few as I passed, feeling their shape and  delicate petals between my fingers. I couldn't help but think about the garden I am designing. How I choose where I put colour. How I worry about  using too little or too much water to keep each plant healthy. And how I remove weeds to ensure the plants I so carefully chose can survive.
 
And yet here is this field  full of beauty growing completely naturally. I have watched the colours change and merge with the seasons  randomly creating patterns.
 
How  we learn from nature.
 
When I work in watercolour I see shapes of colour. I am aware that too much planning can ruin a wonderful result. Too little and the result may  not be successful either. Patterns formed by random placement of colour can break up an otherwise orderly and almost boring composition. Too much water and we could dilute the pigment far too much.Too little and we could have easily moved to another medium where water isn't required.  The " weeds" in a watercolour are the flaws or watermarks which others may see as a crisis whilst I see them as interesting features.
 
Seeing beauty around us no matter how simple or complex is probably the very best lesson we all need to learn as artists.Seeing it, appreciating it and understanding what makes it so.
 
Simply. 
 
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