Gorgeous pigment interaction
Play with colour.
Never stop experimenting with pigments and having fun with colour.
I meet so many artists who have their own favourite colours and they stay with them year after year which is brilliant if this suits you as a personality. My problem is I am a Gemini and I get very bored very quickly. So to use the same colours and paint similar subjects each day would kill my creative spirit. It has in the past when I was first learning how to paint in watercolour and to the point I thought I actually didn't like painting. I now cannot imagine what my life would be like without colour and painting in it. I am also over joyed that I discovered Daniel Smith watercolour shades as they are so incredibly exciting to use. They suit me so well.
Yesterday I painted a rooster on top of a wash that hadn't even started out to be a rooster. It was just a wash. I shared it on my blog. This explains the unusual colour combination and effects in the piece. I enjoyed painting that rooster so much that I couldn't wait to start a new painting of another one today.
But now my technique is different. Instead of simply throwing colour on paper and waiting to see what the subject could be from the result I deliberately planned my wash to include a rooster.
I knew from yesterdays completed painting that my new rooster today was going to be blue but I didn't know which shades to use. I have fallen in love hook , line and sinker with Daniel Smith Lunar Blue so that was my first choice. I know it granulates as a pigment and forms wonderful watermarks so that was shade choice number one. However using one shade alone can sometimes lead to boring results so I needed a second shade to give the Lunar Blue a kick and for this I opted for gorgeous Daniel Smith Moonglow. These two shades together form terrific patterns.
So my first wash with watermarks, colour swirls, early feather tail shape and movement can be seen below. Isn't it beautiful? Fresh, clean and exciting.
Rooster first wash using Daniel Smith Watercolors.
Of course there will be red in the head section, and gold for the feet. Perhaps violet for the under shadows of the feathers. This is going to be a beautiful piece. And I can't wait to finish it but that is not good. I know from experience that racing to complete a painting can often kill it. So yes, I have created a second similar wash so I can work on the two taking the best ideas and brush work into each separate painting.
I am happy.
I am never happier than when I am painting and I am loving my new feeling of excitement and joy in my work. I hope you can feel it too.
You know, rather than me tell you my favourite double colour combination I would love to hear yours. Perhaps you could reply to this post letting me and others know what your favourite pigment interaction colours are. And if you haven't tried new colours for ages this post could be just the boost to make you search for new favourites